Sunday, January 09, 2011

Roadtrip (2)! - University of Michigan Taubman College of Architecture Spring 2011 Lecture Series

All lectures are free and open to the public, unless noted. All lectures will be held in the Art + Architecture Auditorium, 6:30 PM.

Recordings of a number of past lectures are available via iTunes U. Videos are posted to iTunes U usually within two weeks from the date of the lecture. Starting Fall 2010, lectures will be published to Vimeo, with the archive of past recorded lectures being relocated there as well.

Taubman College Lectures

January 21
Joseph Rosa
University of Michigan Museum of Art
"Curating Architecture"
January 25
Photographer John Trotter
"No Agua, No Vida: The Decline and Fall of the Colorado River and the American West"
7:00 PM - University of Michigan's Harlan Hatcher Graduate Library Gallery
February 4
Richard Sennett
New York University and the London School of Economics
Raoul Wallenberg Lecture
Stamps Auditorium, Walgreens Drama Center
February 11
Alex Lehnerer
University of Illinois
"The Only One in a Crowded Room"
February 17
J. Mays
Part of Art & Design Penny Stamps Lecture Series
5:15 p.m. - Michigan Theater
March 11
Florencia Pita
Southern California Institute of Architecture/mod
"...oh so pretty"
March 18
Ellen Dunham-Jones & June Williamson
Georgia Institute of Technology/ The City College of New York
"The Lean Years Conference"
March 25
Greg Pasquarelli
SHoP Architects
March 31
Mitchell Joachim
Part of Art & Design Penny Stamps Lecture Series
5:15 p.m. - Michigan Theater
April 12
Silvia Lavin
University of California, Los Angeles
"The Future of the Immediate Past"
April 15
Peter Eisenman
Institute for Architecture and Urban Studies/ Cooper Union

Friday, January 07, 2011

Roadtrip (1)! - OSU:KSA Lecture Series: Winter + Spring 2011

New Year, new round of roadtrips. Yay!


The Ohio State University

School Mailing Address

Knowlton School of Architecture
275 West Woodruff Avenue,
Columbus

All lectures are free and open to the public.
Unless noted, all lectures will be held at the Knowlton Hall Auditorium (KN 250) at 5:30 PM.

clicky for .pdf

Jason Payne / Hirsuta
Wednesday, January 12
ARTA Fellowship Presentations
Wednesday, January 19
Henry Smith-Miller / Smith Miller + Hawkinson Architects
Wednesday, January 26
Craig Scott / ISAR
Wednesday, February 2
Lee Schipper / UC Berkeley
Wednesday, February 9
Sarah Dunn + Martin Felson / Urban Lab
Wednesday, February 16
Toshiko Mori / Toshiko Mori Architect
Wednesday, February 23
Allan Wexler
Wednesday, April 6
Sponsored by the Melton Center
Florence Pita / FPMOD
Wednesday, April 13
Andrew Bernheimer / Della Valle Bernheimer
Wednesday, April 20
Ron Witte / WW Architecture
Wednesday, April 27
Katherine Bennett / KSA Landscape Architecture
Wednesday, May 4
Jungyoon Kim + Yoonjin Park / Park Kim
Wednesday, May 11
Michael Piper / KSA LeFevre Fellow / Dub Studios
Wednesday, May 18

About the KSA Lecture Series

As part of the Knowlton School's commitment to bringing the highest level of design thinking to its students and the community at large, the KSA lecture series invites prominent researchers and practitioners of architecture, landscape architecture, and city planning to present their work in a variety of areas. These lectures offer technical, cultural and theoretical understanding of the contemporary built environment and represent the contemporary and future state of the art in design thinking.

Previous Lecture Series

Wednesday, January 05, 2011

Jenniffer Omaitz Shadow Structure Reception - The Sculpture Center




January 14 - 26, 2011
Opening Reception: January 14th @ 5.30pm
A Window to Sculpture Emerging Artist Exhibition
1834 East 123rd St. Cleveland, Oh

We have been watching the installation of this collection unfold in the gallery adjacent to the studioTECHNE offices, the staccato of power tools, the rustling of bits being moved around, affixed, adjusted, with a sense of awe (and hope for the architecture models of decades past). We have also had the privilege of chatting with Ms. Omaitz (by just hovering around the gallery until she notices us and invites us in) and I admit I am very much looking forward to this exhibition. There was talk of deconstructionism and Lebbeus Woods and Eisenman and all the good talks that architectural geeks (or archige2ks) love to have amongst themselves which was actually beginning to manifest itself in physical form. Very nice, I am very excited about the opening.

images borrowed from the postcard flier thing.

Wednesday, December 15, 2010

More Winter Cycling Tips


Just a simple reposting of some tips and whatnot for winter cycling. First off, after the downtown cluster-muss that was last Wednesday's exodus from downtown Cleveland (in which a cyclist and I [a pedestrian] were feeling smug as we hurried to our appointments, passed all the stopped cars), I would suggest that a lot more denizens would be open to alternative transportation. I would love to see the transit rail figures for that evening as well. (By the was I did get stuck in auto traffic, 90 minutes to travel 1500' max., yay). Regardless, biking in winter (much like walking around in winter or even driving in winter) is much easier with a little awareness as well as some proper equipment (such as warm clothing!).

Winter riding safety tips

Courtesy of Shah Mohamed, bike educator at the Evergreen Brickworks, where he teaches workshops on safe winter cycling

• Ride slower

Give yourself up to double the time to get to your destination. A slower, more controlled pace gives you more ability to react and recover. You should also allow more space between you and other cyclists.

• Anticipate stops

Braking will be more difficult in icy conditions, especially if snow cakes on to your wheels or brake pads. Anticipate stops by gradually reducing speed and giving yourself twice the stopping distance than you normally would.

• Be aware

You should be checking over your shoulders two to three times more often when riding in the winter, and in general should be more aware of your surroundings.

Reduce tire pressure

Drop tire pressure by 10 to 20 PSI (pounds per square inch). “It does slow you down,” Mohamed says. “But it gives you way better traction.”

• Turn safely

In particularly snowy or icy conditions, lateral force will not take as strongly to the road, so make sure to slow down and turn with as much of your weight on top of the bike as possible (as opposed to simply leaning into turns). For left turns in busy intersections, Mohamed recommends getting off the bike and crossing by foot.

• Know the conditions

Pavement conditions will change day to day — depending on factors like snow, rain and frost— and will change how you ride. Have a look at the weather before you go out and be prepared to adjust your speed and travel time.

There are more tips for equipping your bike and of course you can visit Toronto's Cold Weather Cycling Guide. They must know about snow, they are in Canada!

Tuesday, December 14, 2010

ODOT Public Meeting - Take Two! Wednesday 12.15

ODOT meeting
Wednesday, December 15th, 2010
5-8pm

ODOT's "Aesthetic Details" meeting (which was canceled yesterday due to weather) has been rescheduled for Wednesday Decemeber 15th, from 5-8pm.

I am just going to copy and paste to avoid any snarky comments because believe me, I have a ton in my head right now.

Visit www.innerbelt.org to vote on bridge details, voting closes Wednsday, December 15th, immediately after the public meeting. You may also want to attend the public meeting to vote and ask questions. Members of the design build team and ODOT will be in attendance to answer your questions.

Friday, December 03, 2010

The Indicator: 101 Things I Didn't Learn in Architecture School

Most architects take themselves way too seriously. There is some understanding in this. Quite a bit of their business is directly tied into the image they create about themselves. The problem is in discovering where the fantasy ends and reality begins and what this means to your own position in the firm.

Guy Horton and Sherin Wing recently authored a companion to the wonderful "101 Things I Learned in Architecture School" entitled "101 Things I Didn't Learn in Architecture School" which centers mostly on taking the preconceived notions collected during studio classes and applying them to the "real world".

One main thread, that I feel is important in reiterating, is that there is life outside the office and it is dreadfully important that a balance is maintained. Also, it is a fun read, albeit slightly depressing when you start to analyze what it means about your own life.

Darn it.

via the non stop fun of archdaily

Tuesday, November 30, 2010

2011 Best Arch Schools in the US


We Americans love our rankings. Most fuel efficient or fastest car. Biggest house. Largest burritos.

For those of us who went into school thinking "Hey, I think architecture is neato" (which was probably the extent of our diligence into understanding what we were getting into) I wonder which is the representative population of students researching which particular school was "best" and not just "affordable" or "cheap" or had a proper "male to female" or "proximity to bar" ratio. I mean, if any of us had proper role models (ie. parents in the business) we surely wouldn't have gone and done something so tremendously stupid as to follow their footsteps, now would we? No, we would have gone into something respectable such as banking or lawyering or buying and selling lawyers or perhaps smuggling illegal substances in vans (which probably has better health insurance). Regardless, we decided to become "architects" which means a tremendous amount of schooling, then some interning and of course all the tests and requisite licensureship and continuing education which or course turns every practitioner into a well rounded and intelligent architect (can you hear my chortling?).

Well, to help the burgeoning architects out, there is a racket in place which helps determine the best national schools based upon some rather interesting (which is a word used to describe things that are neither liked nor disliked) assumptions. I am referring to DesignIntelligence's most recent America's Best Architecture & Design Schools 2011, which has placed UMich at #1 this year beating out some school called Harvard.

I have concerns that the overall goal of a "good school" is that an architecture school's primary goal is to first "prepare students for professional practice" (as described by DesignIntelligence). Sure, it sounds great, but what the hell does it really mean? Are the schools creating problem solvers with good communication skills, ethics and morals, passion for design or simply computer skills? Are these things exclusive?

Like most ratings most of the data can mean whatever you want it to, and while I may agree with Foster's sentiment that school is one of the most formative places for young architects I would speculate that "you get out what you put in", rather then "you get out what is shoved in your face". If the student's are not interested, no amount of fantastic guest lecturers or 7 axis robotic arms will entrall them.

However if the competition to get in to the institution is a little higher, you may find that your student population feels they have more to lose via a little complacency and therefore raise the bar of the program. Which isn't a bad thing at all.

Like all school rankings the best advice is to go out and visit the programs. Look for a well rounded curriculum (if you have no idea in which to specialize yet, who at 18 years old did?), in a comfortable environment with good opportunity for travel and exposure. Look at past lecture series, see if any professors have published or built anything you have heard of and liked. Talk to former and present students (remember the grass is always greener) and be aware that even though your undergraduate work begins at one school, your graduate work can always move you someplace else.

As for rankings, I look at portfolios and interviews more then simply what school a student went to. I also know that higher tuition costs usually equate to higher pay needs, however the student's exposure to lectures, educators and programs may make them worth it. There is no silver bullet. If we were all the same the whole country would look like, well, South of Charlotte NC, and no one wants that.

Friday, November 26, 2010

Why do you live in Cleveland?

In a rather surreptitious turn of events WCPN (the local National Public Radio Station - or as most in Ohio call it, Hippie Liberal Media - kidding! Or am I?) aired a piece on their daily local morning show called "The Sound of Ideas"entitled "The Soul of Northeast Ohio Communities" which simply asked, what are the local assets that the region currently contains? The basis of the conversation is the results of a three year Knight Foundation study.

Also as part of my inbox I received an email entitled "Why do you love the place you live?" (Grist) which utilized the results of a recent Gallup Survey entitled "Soul of the Community". If I could pull a quote from the Grist Article of the poll:

Year after year, what comes to the top of the list is not economic opportunity or other "practical" factors -- but instead the things that are much more intangible and yet still deeply felt. Things like friendliness and beauty:

Social offerings are the top driver of attachment in 2010, not only across all 26 communities, but also in every community individually. This includes the availability of arts and cultural opportunities, availability of social community events, the community's nightlife, whether the community is a good place to meet people, and whether people in the community care about each other.

A community's openness is the second most important factor to residents. This is regarding whether residents view their communities as good places for different groups, including older people, families with children, young adults without children, racial and ethnic minorities, immigrants, gays and lesbians, and young, talented college graduates looking for work.

A community's aesthetics -- in terms of its overall physical beauty and the availability of parks, playgrounds, and trails -- is the third most powerful driver of community attachment. A community's education offerings are the fourth most important driver, which include ratings of local colleges and universities and public K-12 education.

Which is a rather interesting thought. So I come back to the original question, "Why Cleveland?" Sure, its cheap to live here and there are some great restaurants, and the lake is fun, the parks are fantastic and there are some really amazing neighborhoods and tons of potential. But is that enough? Is it?

-ps, Sound of Ideas still has Multhrop's photo, which makes me sad, I don't mind the new guy, but I had grown to really like good ol' Dan.


Wednesday, November 24, 2010

Connecting Cleveland: Beyond the Burnham Plan Charrette

I posted this rather late, as I am of the opinion that no one in Cleveland goes to anything if they have too much time (more than a week) to plan ahead. However if you come on down the charrette you may get the opportunity to work with me as I will be one of the many talented and good looking facilitators that will be helping herd the masses at this public event. I think mostly I am just there to hand out papers and google how to spell words.

Tuesday, November 30th
noon - 7pm
Cleveland Public Library, Stokes Wing, Room 218

The Cleveland Group Plan Commission invites you to participate in a design charrette to develop a unified vision for Downtown Cleveland built around signature public spaces and the connections and opportunities that link development projects from the Cuyahoga River, the proposed downtown Cleveland Casino, across Public Square to Malls A, B, C and the new Medical Mart and Convention Center, and onward to the lakefront.

The charrette will be held on Tuesday, November 30, 2010 from Noon until 7pm in Room 218 East/West of the Cleveland Public Library. Take the elevators in the Louis Stokes Wing to the Second Floor (business department) and turn left.

This charrette is an afternoon-long work session, facilitated by theCleveland City Planning Commission, ParkWorks and the Kent State Cleveland Urban Design Collaborative. The event is being organized in collaboration with the Cleveland chapters of the American Institute of Architects, the American Society of Landscape Architects and the American Planning Association.

Your participation is critical to the success of this work. Ideas and recommendations from the Connecting Cleveland charrette will be incorporated into the downtown connections plan being prepared byLMN Architects and Gustafson Guthrie Nichol. LMN and GGN are also working on the Convention Center and Medical Mart project.

Schedule:

  • Noon: Welcome and introductions
  • 12:15 pm: Overview of process and the design assignment
  • 12:45 - 4:30 pm: Work session in small, interdisciplinary design teams
  • 4:30 - 6 pm: Pin-up, drinks and dinner/snacks
  • 6 - 7 pm: Community presentation/conversation, coffee & dessert

If you plan to attend, please RSVP by November 23 to Gina Love Slade at (216) 696-2122 ext. 101 or glove(at)parkworks.org. A briefing document will be sent to all charrette participants a week before the event.

If you have questions in the meantime, please contact Terry Schwarz at the Cleveland Urban Design Collaborative, (216) 357-3426 or tschwarz(at)kent.edu.

-grabbed most of the above notice block from the fine folks at the CUDC.

Tuesday, November 23, 2010

Greening Modernism | Preservation, Sustainability, and the Modern Movement

I received a rather interesting email this morning. If we button ourselves up in the wayback machine and take a long look at Cleveland's recent past we may well remember when County Management (only a 33% indictment rate!) decided they should consolidate by purchasing the Marcel Breuer Ameritrust Tower (at the corner of East 9th and Euclid Ave.) and then in an effort project their new, more environmentally friendly persona, demolish it for a brand new building. Many people cried foul (including yours truly) and a grassroots (of sorts) campaign was launched. Being as how this involved architecture AIA Cleveland eventually got involved at the very end (yes that was meant as snarky).

So the email I read this morning was in reference to a recent article in Metropolis Magazine whereas one Carl Stein (you may remember his lecture during the Breuer bruhaha) has recently released his new book Greening Modernism.

I would take a quote from the email, which was a quote from the article, which was slightly a quote from the book and post it here so that all this elaboration comes to a fine point (emphasis not mine, but close enough to what I would do).

"For Stein, the title Greening Modernism means two things. Firstly, the book is a rallying cry for those building in the modern “style” to return to the Modernist philosophy which, he believes, has a Green heart, with a capital-G. Secondly, he’s calling for a literal “greening” of Modernist buildings. He proves that the most sustainable building is an existing one and believes in recycling and retrofitting Modernist structures, citing a case study of a 29-story Cleveland high-rise. The building was marked for demolition until it was saved by a campaign to protect it and the city’s cultural heritage — in this case, the only high-rise by Marcel Breuer, the influential Hungarian-born Bauhaus graduate and instructor. The campaign, he notes, avoided the 1.7 million gallons of oil it would have taken to build anew."

Oh, how I remember to be all full of hope and vinegar.

I would like to also apologize publicly for being all full of vinegar when I had dinner with Mr. Stein after his lecture. Disgruntled young archi-wrecks have no place at civilized table side conversation. I am now older - but still disgruntled. Grrrr.

Sunday, November 21, 2010

Sanford Kwinter: Requiem for the City at the End of the Millenium

2010

Kwinter is one of the theorists that I absolutely adore, whether or not I agree nor understand the specific point of an essay; he is one of the few writers that allows my own mind to parse my limited knowledge and question my own thinking. Much like a rather thick bowl of oatmeal Kwinter's style relies on some personal asides (requiring some extra curricular examination of historical styles or events) and wordplay that may require some extra trips to a handy dictionary. This is no "Theory for Dummies" book and for that I am rather thankful. Kwinter manages to hold erudite discourse without "talking down" to the reader and structures the essays in classic logical styles making leaps of faith easy to undertake.

"Requiem" is a small collection of essays based primarily upon the idea of the city that celebrate a seemingly modernist take of putting the architectural expression of the city under a critical lens (and like Eisenman, pulls no punches).

This is no manifesto for urban manifest destiny, rather an exploration of the pragmatic goals of urban design set against the experiential intent of the designers. Kwinter relies on an heightened awareness of socio-economic impacts upon architectural styles coupled with the new constraints and releases of social technologies. While there seems to be a tone of hesitant fear (warning?) of the mechanations of social techonlogy they center mostly on possible misuse and a disconnection of the tangible idea of "real".

But this is the constant theme of the collection. What is a city? A mere collection of housing that allows for the concentration of density or rather a collective of thought and ideas that has formed it own and powerful identity? This was the rabbit hole the collection warrants chasing.

As for the book itself, it is a small read, much less dense then FFE in scope and breadth of coverage. The little white book fit well inside my jacket pocket, to be retrieved during lulls in the day. While this is the second Actar book I have received that has been printed out of order (why is there 20 pages or so before the table of contents?) that alone was not the causation for reading a second time. For educators out there who would pass along essays to students, I highly suggest having them create comments or questions during their reading so you can ascertain on which ideas they find problematic. Of course that is a post for another day.

book image from Actar